Arriving in Rome in 1960 was like flying straight into the sun. It was blazing, ripe, optimistic, feral and fecund; enjoying a huge economic boom. It seemed to embrace everyone caught in its collective thrall.” So recalled actor Barbara Steele for Manoah Bowman’s 2015 book Fellini: The Sixties. Steele sets the scene of an era in the Eternal City charged and brimming with creativity, its vitality spurred by Visconti, Antonioni, Rossellini, Pasolini and Bertolucci, alongside an amalgam of painters, designers, artists, filmmakers, actors and patrons of the art.
Among them, Anna Laetitia Pecci-Blunt, or Mimì, a legendary aristocratic arts patron who, descended from Pope Leo XIII, flitted between her palazzo in the Italian city, a sprawling villa in Tuscany, Paris and New York. It was against this backdrop, on the…