Recessions are bad — that’s a given. But the GFC may well have borne an American design renaissance. “The crisis meant a lot of people were laid off, many designers went out on their own,” says Jean Lee of Ladies and Gentlemen Studio. “Lots of trade shows became free, to bring in new energy, highlighting independent designers, and that progressed to collective design trade shows and designers connecting more with the art collector world.” Today, 13 tumultuous years on, having trudged through the Trump era, empowerment movements like Black Lives Matter and Me Too, not to mention a global pandemic, sights have turned away from the calming Scandi-led, mid-century modern look onto something that seems to say ‘new start’. It’s altogether more vibrant, outwardly confident and even, at times, breathlessly…
