It’s a Friday afternoon in Dosan Park, a parcel of Seoul populated by smartly appointed boutiques and manicured men and women. In a private room on the second floor of Parnell, a shop-café with succulents in the window and superfood smoothies on the menu, I am waiting for Yeri Han, the South Korean indie-film and TV star who this month will make her Hollywood debut in writer and director Lee Isaac Chung’s deeply personal and semi-autobiographical film, Minari. I have arrived 20 minutes ahead of our scheduled meeting, but Han, 36, slides into the room promptly at two o’clock with a casual bow. Dressed down in black leggings, a padded green coat, faded blue crewneck, a Champion cap, and maroon socks stuffed into white Nike sneakers, she smiles sheepishly, confessing…
