On a disquietingly hot and windy October day at the outer edges of the San Fernando Valley, Jennifer Lopez—who has never been accused of lacking ambition—is saving the world. Not this world, though it surely also needs saving, but an imagined dystopia some century ahead in which robots, according to their frustrating custom, threaten the human race.
“To me, it’s a love story,” says Lopez, and she laughs.
She laughs because of course she would see it thus, because love is her big project in this world, her messy, public, decades-long, sometimes glamorous, sometimes treacherous, often thwarted project, the lens that when it comes down over her eyes can’t help but turn everything as pink as the sixcarat diamond with which Ben Affleck proposed to her the first time, in…