Indholdsfortegnelse for Volume 2, 2020 i W Magazine

Quentin Tarantino and Angelo Pennetta “Life of the Party” Tarantino, director (near left) Is there anyone who has had a major influence on you as a filmmaker? The late New Yorker film critic Pauline Kael. I look at her as the arbiter of film writing. Whenever I used to watch movies and characters quoted Aristotle or Camus, I never believed that people walked around with that stuff in their head. I always thought it was a silly movie affectation. Now, I’m in my 50s and all of a sudden I’m spouting Pauline Kael like it’s Confucius. What were your earliest attempts at filmmaking? I started writing scripts when I was 16 or 17, but I never got past page 30. It was always a fragment of a movie I had…

There’s nothing quite like the quiet of being underwater. The hubbub of the world becomes a pulsating hush, something in between silence and sound—almost like hearing the rhythms of our own bodies amplified. The artist Calida Rawles, 43, discovered this sensation and the sense of peace that comes with it when she started swimming laps for exercise seven years ago. She also discovered something else: an important subject for her work. A graduate of Spelman College who got her M.A. in painting at New York University, Rawles kept up her artmaking in her 30s in Los Angeles—while working mainly as a graphic designer—by doing hyperrealistic portraits. She didn’t devote herself full-time to art until 2015, when she began making paintings based on her own photographs of people underwater. Then last…

Long before awards season begins, I try to see as many movies as possible in preparation for our annual Directors Issue, which is now in its third iteration. It was a great year in cinema, and choosing the directors to feature was not easy, but in the end we invited Quentin Tarantino (Once Upon a Time…in Hollywood), Bong Joon Ho (Parasite), and Noah Baumbach (Marriage Story) to direct three remarkable photo shoots for W. Getting to spend time with three of the best directors in the world at the height of their careers has been one of the best parts of my job. It was a joy to witness how they each approached their projects so differently. Baumbach was first. From the start, he knew he wanted to pay homage…

When it came to finding a Paris apartment for himself, the young interior designer Fabrizio Casiraghi was willing to settle for a lot less than most of his clients. He didn’t require anything nearly as grand as, say, the 4,500-square-foot apartment he’s currently finishing in a building in the 7th arrondissement. But if Casiraghi’s needs were modest, they were also nonnegotiable. First, two outdoor terraces—one facing each way. “Two little terraces because I need to stay outside, drink a glass of rosé in the sun,” Casiraghi says. Second, a working fireplace. “A small dinner, with risotto around the fireplace, for me is very important—even if I don’t have a table. My mother made these fantastic handmade napkins for me, and I give these to everybody and we sit on the…

Five years ago, the revolution at Gucci, which jump-started a revolution in fashion, began with what appeared to be a classic loafer. Its front was made of soft black leather, decorated with the traditional Gucci gold horse-bit ornament; the back half, however, told another, more surprising story. It was completely open, like a slipper, and the footbed was lined in long kangaroo fur that spilled out in all directions. It was worn by both women (on whom you might expect the frivolity of a fur-lined mule) and men (on whom you might not) at Gucci’s fall 2015 show, in Milan. Even more challenging to the staid norms of male attire, the shoe was paired with a deep red suit that resembled narrow-cut pajamas and a patterned chiffon shirt that was…

In his film Parasite, the director Bong Joon Ho depicts the parallel universes of two families of four—one rich, one poor—who infiltrate each other’s lives. When the son of the impoverished family is employed to tutor the young daughter of the affluent one, he senses an opportunity, and in short order his sister masquerades as an art therapist for the well-off family’s withdrawn son; his father becomes the family’s chauffeur; and his mother displaces a beloved housekeeper. From their flood-prone semibasement apartment in a slum, the Kims ascend to the Parks’ sleek mansion on a hill. The movie deftly seesaws between empathy for one side and the other: The tonal shifts in Parasite happen so subtly that victims become aggressors—and vice versa—with fascinating speed. Director Bong, as he is known…

College reunions don’t usually involve a cast of glamorous models and a slickly produced magazine shoot in a hangar-size photo studio in Paris. Unless, of course, your alma mater happens to be the Royal Academy of Fine Arts, in Antwerp, where the dream team behind this story—the photographer Willy Vanderperre, the stylist Olivier Rizzo, and the makeup artist Peter Philips—met and first collaborated in the early 1990s. “I remember when we started shooting together, it was just daylight and a reflector, and slowly the spotlight came in, and then studio lights,” says Philips, who is the creative and image director for Christian Dior Makeup. “Now Willy is a lighting virtuoso. And Olivier, well, he’s still a perfectionist.” The same might be said of Philips, who has spent the past two…

What’s the most prized possession in your closet? In New York, it’s all the floor art that I put away so people don’t step on it, and so the cleaning people don’t throw it out: Fischli and Weiss rubble, Carl Andre tiles. The rubble is all hand-carved but it looks like construction rubble, so it would be normal to throw it away. It hasn’t happened, but I’ve heard stories. I hang art in my closets too—weird art, like this kind of hideous portrait of Judy Garland that a fan sent me. I put that behind the coats in the front hall, so only I see it. What about clothing-wise? I always say that my clothes never go out of style because they’re never in style. I have this one suit…